“La Dame en Noir,” a contemporary dance production by Isabelle Beernaert, is returning to the stage. Briteq is handling the lighting design, using spotlights to enhance the show’s mystery and emotional impact.

A show full of mystery and contrasts.

For its return, “La Dame en Noir” blends mystery, emotion, and striking contrasts. Choreographer Isabelle Beernaert, a highly acclaimed figure in contemporary dance, has created a breathtaking production.

Precise, powerful, and colorful light.

Briteq projectors bring every moment of the show to life: precise beam control, powerful output, and intense colors enhance every moment on stage.

Briteq products used:

• 2 × BT-FAZE 7500
• 28 × BTI-BEAMBAR18
• 28 × BTI-BEAMBAR18 – 60×30 beam
• 2 × BT-H2FOG COMPACT 2
• 10 × BTI-BLIZZARD PROFILE

In Ghent, Kloaver Viere’s latest cabaret show partnered with PIXELTUBE: just ten tubes were enough to create a lively atmosphere on stage from start to finish.

Ten hits to liven up the stage.

PIXELTUBE provided the lighting for Kloaver Viere’s new cabaret show in Ghent. A total of ten tubes helped create a dynamic atmosphere throughout the performance.

Powerful beams and an IP65 rating: the VANTA SPOT moving head lights kept the Beleuvenissen Festival’s DJ Club Night going all night long.

A whole night without faltering

VANTA SPOT moving head lights illuminated the DJ Club Night at the Beleuvenissen festival, held at Club Vismarkt. With powerful beams and impeccable reliability, the energy stayed at its peak all night long.

IP65 Is a Game-Changer for Outdoor Use

With an IP65 rating, these moving head lights don’t require the usual precautions for outdoor use. Weather is no longer a factor in production: no need to bring a tarp, and no need for emergency takedown at the first sign of rain. For an event that takes place partly outdoors, this means one less constraint in the schedule—and one less risk to the equipment.

What’s Inside a VANTA SPOT

Behind the beam is a 300 W LED source and a motorized zoom ranging from 4.5° to 39.4°, controllable via DMX: the same unit can switch from a narrow beam to a wide wash without changing projectors. It delivers 32,502 lux and features two gobo wheels, a rotating prism, and a motorized frost filter.

• Source: 300 W LED
• DMX-controlled motorized zoom: 4.5° → 39.4°
• Intensity: 32,502 lux
• Gobos: 8 fixed and 8 rotating interchangeable glass gobos
• Effects: 3-facet rotating prism, motorized frost filter
• Protection: IP65, for indoor and outdoor use

VANTA SPOT or VANTA BEAM?

The two fixtures share the same chassis and the same 300 W power source, but they serve different purposes. The VANTA SPOT creates effects: wide zoom, gobos, prism. The VANTA BEAM cuts through: narrow beam, 176,385 lux, 13 static gobos, and two combinable rotating prisms. Our comparison details what sets them apart.

“Amor Fati,” a production by Flemish choreographer Isabelle Beernaert, is currently touring theaters in Belgium and the Netherlands. It is a piece in which light is never seen, but can be felt in every scene.

A production currently touring Belgium and the Netherlands.

“Amor Fati” is a dance piece by Isabelle Beernaert, a renowned Flemish choreographer. The show is currently on tour in theaters in both countries.

Light that serves the story.

To add depth and dimension to the scene and create the right emotional atmosphere, Isabelle Beernaert and her technical team devised a precise lighting plan.

Three Briteq machines, never in the spotlight.

The BT-NONABEAM, the BTI-BLIZZARD PROFILE, and the BT-H2FOG II are never shown head-on, but they appear in every scene. They drive the narrative and convey the intensity of the choreography through imagery.

Recreating the atmosphere of the Cretaceous period takes more than just sets. At Expo Dino World, the set design incorporates a wide range of effects from JB Systems and Briteq.

A journey through time.

Expo Dino World takes visitors on a journey through time to encounter dinosaurs. To recreate the environment in which these prehistoric creatures lived, the exhibition design makes use of a wide range of special effects.

The installed equipment.

• JB Systems: PARTY SPOT, LED VIRTUAL FLAME, CHALLENGER WASH
• Briteq: BT-COLARAY MULTI, BT-THEATRE 100EC Mk2, BT-FAZE 7500

Twenty-eight wireless uplighters and eight moving head lights: the lighting design for a Flextime Afterwork event, set up without running a single DMX cable.

A completely wireless lighting plan.

Twenty-eight uplighters controlled by a wireless DMX controller: no signal cables to run through the venue, significantly reduced setup time, and no risk of tripping for the audience.

The installed equipment.

• 28 × ACCU COLOR uplighters (JB Systems), controlled by a JB Systems wireless DMX controller
• 8 × BT-METEOR (Briteq) lyre lights

CAM-SPOT projectors are taking center stage in an art installation—as part of a project by Hermann Nitsch for *Die Walküre* in Bayreuth.

When stage lighting becomes a visual tool.

A touch of art with our CAM-SPOT series: the CAM-SPOT 30TW and the CAM-SPOT 50TW, whose adjustable color temperature allows you to precisely match the light to the material and pigments.

Vladimir Cauchemar’s Chrome Tour features a lighting system consisting entirely of Briteq products, designed for large spaces and sharp transitions.

A 100% Briteq fire plan.

Blinders, beam bars, motorized cutting, and two generations of fog machines: the tour combines spectacular effects with precise control of the atmosphere.

Onboard equipment.

• 4 × BT-GIGAFLASH
• 6 × BTI-BEAMBAR18
• 1 × BTI-BLIZZARD PROFILE
• 4 × BT-FAZE 7500
• 2 × BT-FOG1500

Behind the spotlights. At Laura Tesoro’s concert at the Ancienne Belgique, Briteq’s new motorized moving heads were put to the test, with Kristof Van Mensel at the control console.

A full-scale test.

During Laura Tesoro’s concert at the Ancienne Belgique in Brussels, the new BTI-BLIZZARD PROFILE was put to the test under the real-world conditions of a venue of this size, with Kristof Van Mensel handling lighting design and operating the console.

The lighting designer’s verdict.

I’m very satisfied with the machine: high light output, a great selection of gobos, and high-quality optics make it a real workhorse, perfectly suited for this type of show.

No longer reliant on the venue’s lighting setup: singer Marise designed her own lighting plan—portable and easy to set up anywhere—centered around the PIXEL PIPE.

Carry your light with you.

The singer Marise—whose full name is Marise den Bakker—wanted to provide her own lighting for her concerts rather than have to make do with the venue’s lighting setup every time.

A lighting design centered around the PIXEL PIPE.

She designed a compact, modular lighting setup based on JB Systems’ PIXEL PIPE, which she can position as she likes from one stage to the next.

A custom-built structure.

Albert Rutjes, from Albatros Stokkum, built him a structure that is easy to set up and take down, designed to meet the demands of the tour.